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Elisabet Davidsdottir “Untitled (Surface 16), 2017”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 35 x 50 cm/13,8 x 19,7″ Edition of 75
Paper Size 60 x 85 cm/23.6 x 33.4″ Edition of 50 -
Elisabet Davidsdottir “Untitled (Surface 3), 2016”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 35 x 50 cm/13,8 x 19,7″ Edition of 75
Paper Size 60 x 85 cm/23.6 x 33.4″ Edition of 50 -
Elisabet Davidsdottir “Untitled (Surface 14), 2017”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 35 x 50 cm/13,8 x 19,7″ Edition of 75
Paper Size 60 x 85 cm/23.6 x 33.4″ Edition of 50 -
Elisabet Davidsdottir “Untitled (Surface 17), 2017”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 35 x 50 cm/13,8 x 19,7″ Edition of 75
Paper Size 60 x 85 cm/23.6 x 33.4″ Edition of 50
Elisabet Davidsdottir
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her personal project SURFACE that lets us rediscover the beautiful structures of street markings. Our daily movements are designated by markings that little attention is given to. The street lines painted by government employees may be the least recognised interventions on our landscape, yet also some of the most profound, communicating directions and orders. In SURFACE details of these works have been isolated to produce entirely new compositions unrecognisable from their purposeful whole. Removed from the ground and presented at eye level, we are left with a larger than life version of surface and paint, a meditation on what we often ignore, even when the word STOP is just below us.
Davidsdottir’s work has appeared in magazines such as Vogue, L’uomo Vogue, Another Magazine, ArtForum and T Magazine. Currently she is working on her second exhibition to open in Reykjavik in the summer of 2018.
Daily movements are designated by markings that little attention is given to. These markings, street lines painted by government employees, may be the least recognized interventions on our landscape, yet also the most profound. Their inconsistencies, their degradation, and their overall existence within our environment, enters our day to day without much thought, communicating directions and orders. In SURFACE, through photographic documentation, details of these works have been isolated to produce entirely new compositions, unrecognizable from their purposeful whole. Removed from the ground and presented at eye level, we are left with a larger than life version of surface and paint, a meditation on what we often ignore, even when the word STOP is just below us.
New update
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Enrique Badulescu “Collage #9”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #2”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #8”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #6”
Starting at $499Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #4”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #7”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #10”
Starting at $2,375Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #1”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #5”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
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Enrique Badulescu “Collage #3”
Starting at $445Limited Edition Archival Pigment Print including a Certificate of Authenticity Signed and Numbered by the Artist.
Paper Size 76,2 x 101 cm/30 x 40″ Edition of 20 +4 AP
Enrique Badulescu
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Son of a Romanian photographer and a Mexican mother, Enrique Badulescu was born in Mexico City in the 1960s. He grew up in a vibrant culture scene, heavily influenced by surrealism. He returned to Mexico after graduating from the Bayrische Staatslehranstalt for Fotografie program in Munich and travelled extensively around the country, later moving to New York City where he started working as an assistant for fashion photographers.
In 1988 he moved to London, where his career took off as a travel and fashion photographer. Enrique Badulescu is counted among the top fashion photographers of today. His work is an ode to the intensity of color. His extravagant compositions are submerged in an inherently passionate and energetic vibe. In 1992 he returned to New York City and regularly visits Tulum, to the turquoise waters of the Mexican Caribbean, which he uses as a frequent backdrop for shoots with French Vogue, Harpers Bazaar or H&M. In 2008 Badulescu published his first book Sueños, followed by a solo exhibition in June 2010 at the Milk Gallery in New York.
